
Nosferatu (2024)

Robert Eggers's most commercially accessible film is also his most rigorously gothic — a Nosferatu that trusts atmosphere and period texture more than jump scares.
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Robert Eggers's most commercially accessible film is also his most rigorously gothic — a Nosferatu that trusts atmosphere and period texture more than jump scares.


A 215-minute VistaVision epic shot for under $10 million, and one of the most formally ambitious American dramas in a generation.


Sean Baker's Palme d'Or winner collapses a screwball comedy, a home-invasion farce, and a quiet character study into one of the most propulsive films of the decade.


A merciless body-horror satire of Hollywood's age economy, carried by Demi Moore's most physically and emotionally exposed performance.


A sports-romance triangle that plays like an Aaron Sorkin script directed by a club DJ — and almost every bet pays off.


Alex Garland bets the entire film on photojournalism as an ethical practice, and the wager mostly pays off in sustained, uncomfortable tension.


Richard Gadd adapts his own life into a seven-hour stalking autopsy that is as uncomfortable as it is morally complicated.


The first genuinely great video-game-to-TV adaptation of the streaming era, and a weirdly honest satire of nuclear capitalism hiding inside it.


Villeneuve delivers the rare sequel that improves on its predecessor, weaponizing scale and sincerity into the most confident blockbuster in years.


FX's Shōgun is the first prestige adaptation to treat the Japanese characters as protagonists rather than scenery — and the storytelling improves in exact proportion.


Wim Wenders returns to his Tokyo beat for a quiet, observational masterpiece anchored by one of the most generous lead performances of the decade.


Glazer's formally radical Holocaust film stages atrocity through sound and adjacency, and the result is unforgettable without being illustrative.


Cord Jefferson's debut splits a sharp publishing satire and a tender family drama in half, and makes both better by refusing to choose between them.


Lanthimos weaponizes Victorian pastiche into the year's most confrontational comedy, and Emma Stone turns Bella Baxter into an instant canon performance.


A $15 million Japanese production outclasses half of Hollywood's $200 million tentpoles by remembering that kaiju movies are about people, not monsters.


A 1970s boarding-school chamber piece that turns three strangers and a Christmas break into the warmest film Payne has ever made.


Scorsese reframes a canonical true-crime story as a sustained indictment of complicity, and the patience pays off in devastating ways.


A courtroom film that is really a marriage autopsy, built on a Sandra Hüller performance precise enough to cut glass.


Nolan's three-hour biography argues that the 20th century's defining scientist was also its most famous unreliable narrator — and the film is the better for refusing to sanitize him.


Miyazaki returns with his most autobiographical film — a grief dream that trusts its audience to sit with unresolved symbols.
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